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8 January 1836 – 25 June 1912. Most renowned painters.

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Sir Edward john poynter,bt.,P.R.A
Atalanta's Race'and Nausicaa and her Maidens playing at Ball (mk37)

ID: 25394

Sir Edward john poynter,bt.,P.R.A Atalanta's Race'and Nausicaa and her Maidens playing at Ball (mk37)
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Sir Edward john poynter,bt.,P.R.A Atalanta's Race'and Nausicaa and her Maidens playing at Ball (mk37)


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Sir Edward john poynter,bt.,P.R.A

1836-1919 English painter, draughtsman, decorative designer and museum official. He came from an artistic family: his great-grandfather was Thomas Banks the sculptor, and Ambrose Poynter, his father, was an architect and watercolour painter. Edward began studying art in 1852 under Thomas Shotter Boys, a friend of his father. In 1853-4 Poynter visited Rome, where he was greatly impressed by the large-scale academic painting of Frederic Leighton. Returning to London, he studied at Leigh's Academy and the studio of William Dobson (1817-1898). Poynter entered the Royal Academy Schools in 1855 but his admiration for French painting led him to Charles Gleyre's studio in Paris the following year. He remained there until 1859, with fellow students George Du Maurier, Thomas Armstrong and Whistler; their activities are described in Du Maurier's novel Trilby (1894). At this time Poynter received his first commissions for decorative work. He began designing stained glass and painting furniture and, after his return to England, he was employed by his friend the architect William Burges to decorate the ceiling of Waltham Abbey, Essex, in 1860.  Related Paintings of Sir Edward john poynter,bt.,P.R.A :. | Atalanta's Race'and Nausicaa and her Maidens playing at Ball (mk37) | 'The Visit of the Queen of Sheba to King Solomon' | The Catapult | Atalanta's Race'and Nausicaa and her Maidens playing at Ball (mk37) | Funchal, Morning Sun |
Related Artists:
Jan miel
Dutch Baroque Era Painter, ca.1599-1664 Flemish painter, active in Italy. Miel must have arrived in Rome in the early 1630s; he immediately came under the influence of Pieter van Laer (il Bamboccio) and the BAMBOCCIANTI. His earliest paintings of bambocciate (low-life scenes) are the Bowls Players (1633; Paris, Louvre) and its companion piece The Cobbler (Besan?on, Mus. B.-A. & Arch?ol.). Shortly after his arrival in Rome, Miel joined the Schildersbent, a confraternity of Netherlandish artists, and was given the nickname 'Bieco' ('threatening look'). His presence in Rome is documented from 1636 to 1658, when he moved to Turin and entered the service of Charles-Emanuel II, Duke of Savoy. Other early paintings that can be attributed to the 1630s include Halt at the Inn (Marseille, Mus. B.-A.) and Hunters' Rest (Warsaw, N. Mus.). Both are reworkings, in their subject-matter and composition, of contemporary paintings by van Laer, such as his Hunters Resting (Florence, Uffizi) and Halt at the Inn (Paris, Louvre).
Jorg Ratgeb
German Northern Renaissance Painter, ca.1480-1526
FROMENT, Nicolas
French Early Renaissance Painter, ca.1430-1485






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